Fernando - Huambo, Angola

One great experience in Huambo was meeting artist, Fernando Tambula Mona at his Art gallery called "Atelier e Galeria" located in Cidade Alta on Avenida Norton De Matos. He is a member of UNAP - União Nacional de Artistas e Plasticas.

His studio was the lobby of an old hotel with amazing light and a fascinating old elevator shaft, where he liked to paint. Talking with him about his art process proved to be a bit difficult because my translators were nurses by trade and were not familiar with many of the terms he was using. But thankfully we were able to spend several hours with him over a couple of days and I believe we were able to learn a lot about each other in spite of the language barrier.

He worked mainly with oil on canvas, but incorporated a lot of mixed media like wood shavings and sand with gel medium or resin.

First layer of a mixed media piece using wood shavings and resin

Fernando grew up in the artist markets of Luanda and studied at an art school in the Congo for 4 years. His work is very textural, thick with impasto, creating highly abstracted figures. The generous application of paint is even more impressive when I think about the scarcity of his supplies. Quality oil paint is not available in Huambo and so he must acquire it from Luanda, a 10 hour drive away. This has only enhanced his innovation for supplementation, however.

He showed me soda cans filled with oil-based ink used for fountain pens that he procured from a local business. Fernando’s work is rich with thoughtful symbolism.

Artist: Fernando Tambula Mona 

This is my favorite piece, which I happily bought from him. It shows women at work, with swirling marks and vibrant colors symbolizing the fast paced energy of the market. A strength and moxy is shown in the repetition of items carried on their heads and symbolizes the determination to earn a living and care for their families, yet softly formed are their feminine figures. I enjoyed this respectful and almost awe-inspired perspective of women from a male artist. Fernando was so kind and welcoming to me and was incredibly driven in his work.

When I told him about my International Art Exchange project, he got to work that very night and came up with this amazing contribution.

You can see on the left the tools of Umbundu women's work, like the mortar and pestle used to grind cornflour. On the right are tools of Umbundu men's work, like a bow & arrow, hammer and machete. These tiny clay sculptures are laid on a layer of sand coated in resin to represent the dusty environment of Angola.

As we talked several other artists filtered in and out. While most of the work in his gallery is his own, he provides a space for other community artists to sell their work as well.

Fernando is an impressive and talented entrepreneur. He has been commissioned to do several murals for businesses around Angola, he has sold about a dozen works to at least one gallery owner in the states and he was even introduced to the Angolan Minister of Culture. I was honored to spend so much time with him to listen and learn about his work and technique.

Fernando gave me a gift of a tiny painted bird made from a pine cone.

International Art Making Cooperative

People across the world finding global kinship through art. 

I extended a challenge to friends here in the states to participate in an art making cooperative with people across the globe in Angola, Africa. The assignment for both groups in USA and Angola was simply to create a symbolic self portrait using mixed media and found objects from daily life. There was no age requirement and no prior art experience necessary. The only requirement was to reflect on who they are as people. The results are a wonderful window into hearts and minds.

Happy Dance

Today something huge happened. I booked my flight(s) to Angola, Africa. This process has been almost a year of researching, waiting, planning, waiting, coordinating, waiting and praying. 

In my art classrooms there has been a constant void in my curriculum. As an educator, I naturally pull from what my experiences equip me with to impart knowledge to my students. When my experience was lacking, the next best thing was researching someone else's experience and trying to share this insight second-hand. My art explorations have been limited to the museums here in the states, the semester I studied abroad in London, and briefly backpacked Europe. This tends to create a very Euro-centric approach to art history and art making. It's not for the lack of trying. There simply is not enough research and documentation in our school library, public library or even on the internet to provide an in depth look at the vastness that is the African art landscape. 

Last fall a colleague of mine, Doug Anderson, came back to school after a trip, as a Teacher Fellow with National Geographic, to the north pole to study polar bears, icebergs and other things that make Environmental Science teachers tingly. He was so pumped up when he returned and shared all about his experience, his enthusiasm was contagious. He also shared about how there are opportunities like his all around if one was willing to look.

Inspired was an understatement. I knew where I wanted to go. My roommate in college, Teague Meyer and her family began their adventure as missionaries in Angola, Africa in 2010. It had been a dream to visit since before they had even left the states. But, it was always impossibly expensive. Now, I had a tiny chance to see the great work she and Robert had been doing, and maybe even research some art while I was at it!

After several hours of scouring the internet to find an opportunity that would allow me to taylor my own experience, I discovered the national grant foundation Fund for Teachers. This initiated a 3 month research expedition into Angolan tribal art, contemporary art making and art history. Similar to my experience of researching African art for my classroom, this experience was fraught with difficulty. Many times the information I found came directly from Teague and Robert as they were actually on the ground in Angola and could ask questions or do research locally. This just reinforced the need for this research and I hoped the grant committee would see it the same way. 

The grant I wrote was to fund the research of the tribal art of the Chokwe people, the ancient rock art of Tchitundu Hulu and to facilitate an international art making cooperative, among other things. January 20th I hit "submit."

It would be 4 months before I would know if my grant had been awarded. Being that I like to plan things and check off lists to pretend to be in control, I decided to proceed as though I were going to be awarded the grant. Robert sent me all the visa application requirements...a 7 page email of instructions. The instructions had instructions. This process was an adventure all by itself. 

First, renew passport...check. Second, yellow fever vaccine...check. Third, go to the Angolan Consulate in Houston, TX on a Monday or Wednesday between 9-2. Um...I was needing another excuse to go to Texas to visit my brother (in Dallas) anyway. As I discovered, I had the easy part of the visa application. Robert had to make the 8-11 hour trek to the capital, Luanda, to formally send my letter of invitation to the consulate. So thankful he was willing to invite me!

The Consulate of Angola - Houston, TX - March 22, 2016

The Consulate of Angola - Houston, TX - March 22, 2016

April 5th came the happy email to tell me I had been awarded the grant for my research!

Grant committee notifications - April 5, 2016

Grant committee notifications - April 5, 2016

But it was not until today, 11 months and 3 weeks from the time I set out to get to Angola, that I actually secured my itinerary and proceeded to my happy dance.

Exactly 4 months after applying for my visa, it arrives - July 22, 2016

Exactly 4 months after applying for my visa, it arrives - July 22, 2016

This will be an incredible opportunity to bring more information and understanding about African art history as well as contemporary African art making to our unbalanced art classroom curriculums.

But, personally, it will also be an opportunity to see the amazing work my friends have been doing for Jesus. I hope to share both stories as I go on this adventure.

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